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The Lost One: A Life of Peter Lorre


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Click here to buy The Lost One: A Life of Peter Lorre by  Stephen D. Youngkin. The Lost One: A Life of Peter Lorre
by Stephen D. Youngkin
Sales Rank: 328537
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List Price: $39.95
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  • Hardcover: 680 pages
  • Publisher: University Press of Kentucky September 1, 2005
  • Language: English
  • ISBN-10: 0813123607
  • ISBN-13: 978-0813123608
  • Product Dimensions: 9.5 x 6.5 x 1.6 inches
  • Shipping Weight: 2.4 pounds

    From Publishers Weekly
    Born Laszlo Loewenstein, Hungarian Lorre (1904–1964) transformed himself from minor stage presence to Hollywood character actor through pivotal professional relationships and one breakthrough role. Portraying a child murderer in 1931's M, Lorre conveyed his unique blend of pathos and complexity so acutely that his career blossomed—with hits like 1935's Crime and Punishment; 1941's The Maltese Falcon; and 1942's Casablanca—even as his personal life unraveled with drug addiction, romantic turmoil and personal insecurity. Youngkin, coauthor of two previous books on Lorre, examines his subject with striking rigor. Through interviews with hundreds of Lorre's friends and associates—including Fritz Lang, Alfred Hitchcock and Billy Wilder—and frequent dips into film and media archives, Youngkin peels back the layers of Lorre's life to reveal a fascinating, nuanced individual who struggled with intellectual issues in the midst of glamour and fame. As a parallel to Lorre's struggles with typecasting, Youngkin details the rise and fall of the studio star system, giving a strong backdrop to the actor's professional as well as personal dramas.
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From The Washington Post
    With his big, sad eyes and chubby cheeks, actor Peter Lorre (1904-64) seemed predestined to be a movie villain: the compulsive child-killer of Fritz Lang's "M" or the oily, sexually ambiguous Joel Cairo of "The Maltese Falcon." Even before starring in "M," he had made a splash in the then-sinister part of a drug addict (a performance for which he drew upon his own addiction to morphine) in a German film called "Der weisse Dämon" (The White Demon). But around the same time that he was making "M," he was also appearing as a "comic songster" in "Was Frauen träumen" (What Women Dream); had the latter two films come out in reverse order, Lorre once speculated, he would have carved out a career as a farceur.

    Lorre's battles against type-casting and addiction are detailed in Stephen D. Youngkin's The Lost One: A Life of Peter Lorre (Univ. of Kentucky, $39.95). Born Laszlo Loewenstein in Hungary, he fled the anti-Jewish milieu of Berlin in 1933 for Vienna, on the same train with fellow actor Oskar Homolka, director Josef von Sternberg and violinist Jascha Heifetz. A few years later, Vienna wasn't safe for Jews, either, but Lorre got a break: a paid ticket to England to participate in Alfred Hitchcock's first version of "The Man Who Knew Too Much." Merely getting the part required no small prowess as an actor. Lorre recalled that he'd heard about Hitchcock's legendary storytelling abilities, "so I used to watch him like a hawk and whenever I thought the end of a story was coming. . . . I used to roar with laughter and somehow he got the impression that I spoke English." Soon enough, Lorre did speak English; he emigrated to the United States, and he stayed busy in Hollywood until being "gray-listed" in the late 1940s. But he overcame that setback, too, and was working steadily again by the time of his relatively early death.

    From Comic to Villain
    Copyright 2005, The Washington Post. All Rights Reserved.

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